11 Excellent A24 Movies You May Not Know

Waves by Trey Edward Shults is a potent family drama that explores the intricacies of tragedy, love, and the effects of loss on family ties. The Williams family is the main subject of the movie, with special attention paid to the lives of Tyler, the adolescent son (Kelvin Harrison Jr.), and his family, who are dealing with the aftermath of a tragic incident. As the story progresses, it examines how tragedy affects every family member in turn, illuminating their difficulties, coping strategies, and routes to recovery.

The story of the movie is divided into two distinct sections, each of which presents a unique viewpoint on Tyler’s actions’ aftermath. Tyler’s downward spiral and the pressure it takes on his family are depicted in the first half, which is strong and emotionally charged. The second part of the story is on his sister Emily (Taylor Russell), who has to deal with her brother’s fallout while finding her own way back to health. Shults uses a variety of dynamic cinematography techniques, such as vivid color schemes and smooth camera motions, to heighten the story’s emotional impact.

Waves is notable for its unvarnished and truthful depiction of loss and restoration as one of the best A24 movies you may not know. The film’s strong performances—especially those of Harrison and Russell—adding emotional weight and layers of realism. The film’s examination of family dynamics and inventive storytelling technique make it an engaging and thought-provoking viewing. Even if Waves may not have gained the same level of popularity as other A24 movies, it is nevertheless an illustration of the studio’s talent for telling powerful A24 movies you may not know.

Good Time, a suspenseful thriller directed by the Safdie Brothers, chronicles the frenetic exploits of Connie Nikas (Robert Pattinson), a bank robber on a desperate mission to avoid punishment and save his mentally challenged brother as one of the best A24 movies you may not know. Connie gets caught up in a terrifying sequence of events when a heist goes wrong, and he has to work quickly to find the money needed to free his brother from prison.

There is a strong sense of urgency and suspense in the movie because of its fast-paced, realistic style. The film’s suspenseful story is enhanced by the Safdie Brothers’ use of a throbbing electronic tune and a fast-paced cinematography technique as one of the best A24 movies you may not know. Pattinson gives a powerful portrayal of Connie that really engages the audience in the character’s frantic and frequently ethically dubious behavior.

Good Time stands out for its realistic and engrossing depiction of turmoil and desperation. The movie stands out above other entries in the genre because of its unique take on tension and its unadulterated, dynamic energy. For fans of dramatic, character-driven thrillers, Good Time is nevertheless a fascinating and captivating experience, even though it may not have achieved the same amount of mainstream awareness as other A24 productions.

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The Farewell, directed by Lulu Wang, is a moving movie that delves into issues of cultural identity, family, and the difficulties of facing death as one of the best A24 movies you may not know. The narrative centers on Billi (Awkwafina), a Chinese-American lady who secretly bids their dying grandma Nai Nai (Shuzhen Zhao) farewell by traveling back to China with her family while posing as engaged. The documentary explores the emotional and societal fallout from the family’s decision to conceal Nai Nai’s diagnosis.

Wang’s direction sensitively and authentically conveys the subtleties of cultural differences and family interactions. The film’s sensitive and realistic depiction of familial love and the challenges of negotiating cultural norms is achieved through a clever use of humor and passion as one of the best A24 movies you may not know. Awkwafina gives a sincere and heartbreaking performance as Billi, which deepens the film’s examination of bereavement and ethnic identity.

The Farewell offers a deep and complex look at family and cultural traditions, and is renowned for its ability to strike a balance between humor and emotional depth. It’s a picture worth seeing even though it might not have had the same level of commercial success as some other A24 productions because of its moving narrative and outstanding performances as one of the best A24 movies you may not know.

Under the Silver Lake, a neo-noir mystery by David Robert Mitchell, explores Hollywood’s underbelly through the eyes of a disillusioned young man named Sam (Andrew Garfield). Following the abrupt disappearance of his mysterious neighbor Sarah (Riley Keough), Sam sets out on a tortuous investigation that takes him past a myriad of quirky people and mysterious clues as one of the best A24 movies you may not know.

The film is a fascinating and frequently perplexing experience because of its unique storyline and complex plot. Mitchell offers a novel interpretation of the noir genre by fusing satirical and surrealistic aspects with a critique of Hollywood’s shallowness and elements of conspiracy theory. Sam is compellingly portrayed by Garfield, who successfully conveys the character’s disenchantment and preoccupation with the case.

Under the Silver Lake is notable for its creative narrative and examination of identity and disillusionment-related topics as one of the best A24 movies you may not know. Though its intricate storyline and fantastical aspects might not be to everyone’s taste, it presents a distinctive and provocative interpretation of the mystery subgenre. It is a hidden gem in A24’s library because of its unique style and captivating performances.

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The dystopian comedy-drama The Lobster by Yorgos Lanthimos depicts a strange future in which single people have 45 days to find a romantic companion or risk turning into animals. In this restrictive society, where the demands of conformity and the pursuit of love take on a bizarre and frequently ridiculous tone, the movie follows David (Colin Farrell) as he navigates these situations in one of the best A24 movies you may not know.

With a sharp and disconcerting tone, director Lanthimos subverts conventional notions of romance and relationships through a nontraditional plot and deadpan humor. The film’s unusual tone is influenced by both its distinct visual style and its dry, frequently ludicrous dialogue. David is portrayed by Farrell in a moving and darkly humorous way, which perfectly captures the character’s inner turmoil and the satirical edge of the movie.

The Lobster is notable among A24 movies you may not know for its uniqueness and its examination of love, conformity, and social pressure-related themes. Even though it might not have gained as much popularity as other A24 movies, this movie stands out in the company’s catalog thanks to its unique storytelling and provocative material.

A visually spectacular retelling of the Arthurian legend, David Lowery’s The Green Knight stars Dev Patel as Sir Gawain on a mission to face the mysterious Green Knight. A deep and immersive experience is created by the film’s exquisite cinematography and poetic storytelling, which explore themes of honor, chivalry, and the pursuit of personal progress as one of the best A24 movies you may not know.

With arresting images and symbolic imagery, Lowery’s direction is equally innovative and meditative, enhancing the film’s study of Gawain’s journey. Gawain is portrayed by Patel in a complex and engrossing manner that perfectly captures the character’s internal struggle and development during the adventure.

The Green Knight is renowned for its creative retelling of the Arthurian legend and its ability to meld philosophy with fantasy in one of the best A24 movies you may not know. Its artistic vision and thematic complexity make it an important film in the studio’s portfolio, even though it may not have received the same level of media attention as some of the other A24 productions.

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The Souvenir by Joanna Hogg is a semi-autobiographical drama that centers on Julie (Honor Swinton Byrne), a young film student, as she negotiates a tumultuous relationship with a charming but unstable guy (Tom Burke). The film delves into issues of artistic aspiration, self-discovery, and the intricacies of romantic relationships in one of the best A24 movies you may not know.

Hogg’s directing is close-knit and contemplative, illustrating Julie’s path of development and epiphany through a thoughtful and introspective style. The film’s examination of relationships and personal growth is made more complex by its sophisticated performances and cinematography. Julie is portrayed by Swinton Byrne in a particularly remarkable way because of her honesty and emotional range.

The Souvenir offers a profound and insightful look at love and artistic striving, and it stands out for its sensitive and intimate storytelling among A24 movies you may not know. Despite its lack of widespread recognition, the film is captivating and noteworthy due to its intimate representation of emotional evolution and relationship dynamics.

It Comes at Night by Trey Edward Shults is a psychological horror movie that takes place in a post-apocalyptic future where an enigmatic force threatens to destroy a family. The film explores themes of trust, anxiety, and the frailty of human connections while evoking a sense of dread and uncertainty through its unclear storyline and atmospheric tension as one of the best A24 movies you may not know.

The film’s tension is increased by Shults’ nuanced storytelling and sparse locations, which are hallmarks of his meticulous attention to atmosphere and suspense. The film’s examination of paranoia and survival gains depth from the performances, especially those of Joel Edgerton and Riley Keough.

It Comes at Night is renowned for its examination of psychological terror and its capacity to elicit a generalized sensation of discomfort. It may not have received much attention, but its dramatic and atmospheric style sets it apart from other works among A24 movies you may not know.

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The Others by Alejandro Amenábar is a great addition to this list because it has comparable suspenseful and atmospheric themes. Nicole Kidman plays Grace in the movie, a lady who lives in a creepy mansion with her light-sensitive kids and starts to believe that their house is haunted.

Amenábar’s director skillfully uses psychological tension and gothic themes to create a spooky and frightening atmosphere that enhances the story among A24 movies you may not know. Kidman has a strong and unnerving performance as Grace, which deepens the film’s examination of dread and sadness.

The Others is praised for both its provocative twist ending and its deft use of suspense. In the genre, it stands out for its psychological nuance and storytelling, and it should be recognized alongside A24’s better-known films.

Shoes Riley’s satire Sorry to Bother You defies genres by combining aspects of social commentary, surrealism, and black comedy. The movie centers on telemarketer Cassius Green (Lakeith Stanfield), who finds that adopting a “white voice” helps him advance in his work. However, along the way, he unearths a sinister corporate scheme in one of the best A24 movies you may not know.

Riley’s direction is audacious and creative, criticizing capitalism and racial identity with humorous undertones and bizarre images. The film is a singular and thought-provoking experience because of its clever storyline and incisive societal critique. The film delves deeper into the themes of ambition and identity thanks to Stanfield’s compelling portrayal of Cassius.

Sorry to Bother You is notable for its original take on social satire and deft handling of weighty subjects. It is a notable entry in A24 movies you may not know because of its uniqueness and critical viewpoint, which present a novel and inventive viewpoint on current affairs.

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The Last Black Man in San Francisco by Joe Talbot is a moving and strikingly shot film that delves into issues of identity, gentrification, and a feeling of community. The narrative tracks Jimmie Fails (a fictionalized version of himself) as he battles the effects of change and displacement while attempting to restore his family’s historic home in a fast gentrifying San Francisco in one of the best A24 movies you may not know.

The lyrical and poetic style of Talbot’s directing is evident in the way he captures the social and emotional complexity of the characters’ lives through arresting cinematography and compelling narration. Fails portrays the battle to maintain one’s sense of identity and place in the face of societal change in a poignant and affecting way with her passionate and genuine performance.

The Last Black Man in San Francisco is renowned for its thoughtful and artistic storytelling style, as well as its potent examination of cultural and personal history. Within A24’s varied filmography, it is a remarkable film that merits more recognition due to its moving story and amazing visual aesthetic.

These eleven A24 movies you may not know highlight the company’s dedication to creative and provocative filmmaking. Every movie, from the gripping drama Waves to the bizarre satire Sorry to Bother You, adds to the rich fabric of A24’s filmography and presents a different viewpoint.

Even while some of A24’s most well-known productions have received greater widespread recognition than others, these A24 movies you may not know all provide engaging and unique viewing experiences that demonstrate the studio’s commitment to stretching the bounds of traditional narrative. A satisfying and varied variety of cinematic experiences can be found in these hidden jewels for those who want to venture beyond the well-known hits.